Phobia

Markus Öhrn and Karol Radziszewski present a brutal lesson in a little-known history. "Fobia" is a convergence of two different artistic practices. Markus Öhrn employs an exaggerated, sharp, almost cartoonish visual language, while Karol Radziszewski employs a research-based and documentary approach, focusing on Poland's non-heteronormative, untold history. The performance, in typical Markus Öhrn fashion, is constructed in three episodes. The "Fag Fighters," a pink gay commando from Radziszewski's ongoing project since 2007, confront members of a family, as well as representatives from the worlds of business and art.

"Fobia" serves as an ironic critique of society. The creators examine the issue of violence and stigmatizing stereotypes surrounding LGBTQ+ individuals, with the "Fag Fighters" they take over the language of hatred for their own use. The creators' critical examination of these three domains: family, business, and culture, serves as a pretext to delve into the exploitation of minority groups, driven by the desire to build their own symbolic capital, amass wealth, or strengthen authority. One of the themes explored is the so-called "pinkwashing," for example, when international corporations, capitalizing on excessive consumerism, promote their brands by simulating support for LGBTQ+ individuals.

So, what is homophobia then? Is it only explicit violence and hatred expressed directly, or could it be a hidden element in integration scenarios written by heteronormative individuals? Markus Öhrn and Karol Radziszewski take us on a rollercoaster ride through stereotypes, apparent tolerance, alleged acceptance, and some of our most deeply held, supposedly righteous beliefs.